This week, we consider a few decorative strategies using slips and underglazes. These strategies are used on green ware (or unfired clay).
Artists Shown in Class
Above: Janet DeBoos (sgrafitto on black underglaze and on terra sigilatta. Also uses decals which are applied after the glaze firing at 015- 018).
Above: Susan Feagin layers on many techniques including sgrafitto and mishima, but also newsprint transfers and more. Look her up on UTube.
Above: Adero Willard layers many areas of texture and colour. Foe example the light blue background with squares and arabesques are done using the mishima technique. Other areas are painted and wax resisted. Her strategies are discussed in Pottery Illustrated.
Class technique 1: Sgrafitto
The geometric patterns are drawn onto black underglaze (3 - 4 coats). If the clay is white, the incised lines are white. Note the great balance of black areas and the various widths of lines (several engraving tools).
In this picture (above) the wax has been applied & the design is drawn with an Exacto. I find it easier to do my initial drawing in pencil on the bisque, then cover with wax - this allows me to see the drawing as I cut through.
Above: The black underglaze was applied to the drawing. Each of three coats was allowed to dry before the next application. A sponge is used to clean up the surface but a scraper can also be used (the latter is the traditional Korean approach).
Because we are still working with greenware objects, we are decorating with underglazes and slips which are structurally similar to one another.
Slips are
applied leather-hard or bone dry greenware. However, the slip used on bisque usually
follows an engobe recipe (see below).
The example used in class for pure slip decoration was a cup by David Miller (UK). He often uses a white base slip and then adds further layers of coloured slips. I remember him saying once - "what you see is what you get.." referring to the mason stains added to a slip. (Try it out: place 3 tbs of white slip in a small container. Choose a mason stain colour and start with 1/2 a teaspoon on your lid, spritz and mix then add to the slip. Continue doing this til you reach your desired colour.
Comparison of a Basic Slip Recipe - Any Similarities?
Susan Feagin - White Base Slip (Cone 04-9) |
Sunshine
Cobb Base Slip |
Robin
Hopper: White Base Slip Cone 04-12 in
Ceramic Spectrum): Ball clay 75
|
Colorants
are added to the slips. There are two categories:
1) Minerals/oxides 2) Mason Stains.
I. Common minerals/oxides: Rutile (tan); Cobalt
carbonate (blue – 1-3%); Iron Oxide (red-up to 15%); Copper Carbonate (green –
up to 10%); chrome (darker green 1-3%). These are available at the guild.
2. Mason stains: infinite - These are available at the guild.
Slip-Engobe for a bisqued surface
Replace
base slip with Engobes on Bisque Ware
Engobe recipe R Hopper :
Raw
Material |
Cone 04-3 |
Cone 4-6 |
Cone 6-10 |
Kaolin |
20 |
15 |
15 |
Calcined
Kaolin |
10 |
20 |
35 |
Talc |
25 |
10 |
5 |
Calcium
Borate (or Frit 3110) |
15 |
10 |
0 |
Nepheline
Syenite |
0 |
10 |
15 |
Silica |
15 |
20 |
15 |
Borax |
5 |
5 |
5 |
Zircopax |
10 |
10 |
10 |
Total |
|
|
|
Popular Request: Crack Mending (paper clay slip)
3 Tbs powdered clay (let scraps dry out and crush in a plastic bag)
6 squares of toilet paper (pull apart to 1 ply) torn into small bits
2-3 Tbs Water
1 drop of Darvan 7
Directions
Place drop of Darvan 7 in 2 Tbs of Water
Break up toilet paper and let disintegrate in water
Mix powdered clay a bit at a time til disired consistency for filling in cracks
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